Welcome back to our television serial making guidelines. If you need a recap we'd already seen the fixed kinds of necessities like storyline, characters or sets. Now let us move on to moving ones.
The Story and Dialogue Writers: Having only one writer is really a risky proposition. You need to ideally have a table of writers, if one doesn't blow out of his/her mind the others deliver. The never ending storyline needs an equally endless way to obtain dialogues to continue the show episode by episode. In a particular scene you will need to create the most possible dialogues and because of this the board of writers would come as a bonus. Should they quarrel over it, that's only natural, maybe you get a fresh twist-wish idea to set up new angles-triangles or why don't you a good hyperbola in the story which could again generate new streams of dialogues. You will need to keep a watch on viewers too; boring them now and then is okay, but you need to never drive them mad. The channel producers, remember?
The Director: As you would be the director you must be the toughest nut to break. Okay it is your baby and naturally you want to be the leader and friend-philosopher-guide. But in actual practice you need to be a ruthless dictator taking decisions unilaterally and respecting no-one but the channel producers. If a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may need to be brought alive; many others may need to be replaced; ushering in an occasion transition or injecting one and more absurd characters into the serial; and, so on. Every one of these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to help keep 1 or 2 episode directors too as is the case in lots of soaps. We have good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony may be an excessive amount of for you and you could lose your sanity. Third, when it comes to channel producers the buck will always stop exclusively at your end only.
The Time Pass: Now pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you need to continue creating rooms for frequent time pass tactics. You do it by having merry go rounds of dramatic reaction shots parading your entire characters in the hall which could get you over more than one episodes; by having dialogues that never cease; by giving extreme shock treatment to more than one characters who lose their power to speak and communicate only through loud music which could last as much as more than one episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials continue doing evil which could include even murder as police force authorities are never called in, because entry of police may veer the serial to a logical end. You merely compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the main element to the success of never ending serials. At the receiving end we could only try become accustomed to it.
So, make your serial in India and have never ending fun!
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